NASA Scientists Plan To Approach Girl By 2018

I spent a little time getting the right “room sound” for this one, but there aren’t a lot of overt sound effects. I did, however, have some fun with the Q&A section toward the end of the piece.

Obviously the goal was to make it sound like a real press conference, so I listened to a few examples. When reporters ask questions, sometimes they’ll pass a wireless mic from person to person (though this seems more common in town-hall style meetings as opposed to press conferences). More often, there’s just one noisy mic picking up the sound of the entire room, and usually it’s nowhere near the reporter asking questions. So in order to make the reporter audible, they either crank up the volume and/or add a ton of dynamic compression–this makes their voices louder but also introduces a lot of background noise.

I decided to split the difference between emulating both approaches; the reporter would start asking a question through a noisy room mic and somebody would eventually pass her a handheld mic. The original audio for this bit was pretty clean, so I ran it through a subtle overdrive effect and then a reverb plugin to emulate the sound of the reporter “in the room.” Then I mixed that with some generic “electronic hum” noise and a recording of me fumbling around with a hand-held mic. I faded-in the reporter’s voice as the hand-held mic “gets closer” to her, and then ran the entire submix into a heavy compressor plugin. I added some low-midrange EQ and a little more reverb on the submix after the compressor to fake the “boominess” a of mic before it starts to feed back. Lastly, I added a little general crowd murmuring before each question, as if the reporters were jockeying to ask a question.

All this for a couple of seconds of noise, but I’m pretty happy with how it turned out.

How To Put The Spark Back Into Your Relationship With Your Cat
There’s not a lot say about this one from a sound design perspective; it was pretty straightforward.

…so we had to use the roof.

Here’s the most recent podcast I edited for The Newark Museum via Pimzlo.  Watch it in HD!

Final Season Of ‘Lost’ Promises To Make Fans More Annoying Than Ever

When my sister, Caitlin, was in town in early January, we went to the New York Transit Museum with her boyfriend, Nolan.  (The museum itself is pretty interesting, but if you go too close to closing be careful not to get suckered into wasting all your time on the Triborough Bridge exhibit.  It is surprisingly thorough…and just not worth it.) On our way out, I recorded the sound of a few old turnstyles, which made some great mechanical ratcheting noises.

“What are you going to use that for?” Nolan asked.

I didn’t know at the time, but it ended up being perfect for this mock Lost commercial.  See if you can pick it out in the mix.

I also made the ABC logo “swoosh” from scratch by running a pitch-shifted gong through an envelope filter along with some white noise.  I think sounds pretty close to the real thing…